CONTRAPUNTO EN LA COMPOSICION SALZER PDF

El Contrapunto En La Composicion by Felix Salzer; Carl Schachter at AbeBooks. – ISBN – ISBN – Idea Books – El contrapunto en la composición: el estudio de la conducción de las voces. Front Cover. Felix Salzer, Carl Shachter. Idea Books, – Music – pages. El Contrapunto En La Composicion (English, Spanish, Paperback) / Author: Felix Salzer / Author: Carl Schachter ; ; Music, Arts & Architecture.

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Tonal organization analyzes of over pieces. Connects theory and composition.

A hardcover book about the structure of hearing. The Masterwork in Music, Volume III – Volume III The three volumes slzer The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century’s leading figures in the field,First published in German between andthese essays represent Schenker’s greatest salzee in analysis prior to the definitive formulation of his theory of music in Der freie Satz Free Composition ,This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars,Editorial annotations and elucidations by Dr,William Drabkin and his translators offer additional insights The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century’s leading figures in the field.

First published in German between andthese essays contrapunfo Schenker’s greatest writings in analysis prior to the definitive formulation ej his theory of music in Der freie Satz Free Composition.

El Argonauta. La librería de la música.

This new publication of conttrapunto long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars.

Editorial annotations and elucidations by Dr.

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William Drabkin and his translators offer additional insights. This volume comprises contrapunti eminent Austrian theorist’s main writings from the mids to In addition to essays on music theory in cultural context, the book is dominated by one of Schenker’s most celebrated studies of a single work: Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works.

Volume Two contains a major essay on Mozart’s Symphony No. Heinrich Schenker’s The Art of Performance shows this great salser theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized salezr performance.

Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers.

Schenker’s approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display.

To counter this, he proposes specific ways to reconnect the composer’s intentions and the musician’s performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer’s indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance.

He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors.

El Contrapunto En La Composicion (July edition) | Open Library

The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker’s death, his student Oswald Jonas prepared the text for publication from Schenker’s notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas’s friend and student Heribert Esser.

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She later translated it into English. This edition is the first publication in any language of this remarkable work. These sketches study the musical architecture of five compositions from three stylistic periods: Matthew Passion and the Prelude No.

Each composition is contrspunto in a series of sketches, with selective interpretations of chords, indications of voice leading, and other easily understood devices that demonstrate Schenker’s theories compoicion their expression.

The first two volumes of Heinrich Schenker’s masterwork Neue musikalische Theorien und Phantasien, Harmonielehrenand Kontrapunkt andcontrapynto the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last salzet years of his life. It is in Free Composition Freie Satz, that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.

Libro,Tutti gli strumenti Sul corale nelle versioni tradizionali e nelle interpretazioni di Johann Sebastian Bach.

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